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    <title>de78b6ed</title>
    <link>https://www.birdalleystudio.com</link>
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      <title>Seeing It Done</title>
      <link>https://www.birdalleystudio.com/seeing-it-done</link>
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      <content:encoded>&lt;div data-rss-type="text"&gt;&#xD;
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           My friend Cindy has always been a builder—companies, houses, friendships.
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           A strong entrepreneur. A marketing mind. Someone who knows how to bring things into the world and make them work.
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           And alongside all of that—she paints.
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           Watercolors, mostly. Quiet, detailed, and full of life. She creates individual Christmas and note cards, each one its own small piece of art. They hang on walls all over my house.
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           They don’t feel like side projects.
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           They feel essential.
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           Watching her hold both things—the work of a full professional life and the work of her hands—shifted something for me.
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           It made the idea of beginning feel possible.
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           Not someday. Not eventually. But now.
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           I don’t think she set out to be an example.
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           But she was.
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            ﻿
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           Sometimes it takes seeing someone else do it—clearly, fully, without apology—to realize you can step into it too.
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      <enclosure url="https://irp.cdn-website.com/de78b6ed/dms3rep/multi/Cindyedit.jpg" length="462957" type="image/jpeg" />
      <pubDate>Wed, 06 May 2026 20:25:12 GMT</pubDate>
      <guid>https://www.birdalleystudio.com/seeing-it-done</guid>
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    <item>
      <title>My Coming To It</title>
      <link>https://www.birdalleystudio.com/my-coming-to-it</link>
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           For most of my life, I followed a different path—entrepreneur, mom, executive, stepmom, wife…
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           But my mother’s story stayed with me. That sense that something could wait. That it might still be there later, when there was space to turn toward it.
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           Now, I find myself making small houses.
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           Birdhouses, really—but each one with a name, an address, and a story rooted in place and memory. No two are the same. Each one stands on its own.
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           Sometimes I think: I’m following her model.
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           It’s not too late.
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           It’s that same quiet turning.
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            ﻿
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           Not starting over—but coming to something that was there all along.
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      <pubDate>Wed, 06 May 2026 20:20:13 GMT</pubDate>
      <guid>https://www.birdalleystudio.com/my-coming-to-it</guid>
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    <item>
      <title>Mom Was a Late Starter</title>
      <link>https://www.birdalleystudio.com/mom-story-1</link>
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           There were always women painting in my family—my grandmother, great aunt, aunt, and cousin… and later, my mom. Brushes in jars, paint in tubes, unfinished wood and paper.
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           My mother watched for years. She was the jock; they were the artsy ones.
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           She was raising seven children, building a school, tending the cottage, and holding together a full life. Art was always nearby, but it wasn’t hers. Not yet.
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           She didn’t begin painting until her sixties.
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           There was no announcement—just a quiet turning toward something that had been there all along. And when she began, it was clear: she had a remarkable eye. Her work was thoughtful, patient, and entirely her own.
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           My sister and I used to say we would do the same thing someday.
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           That there was time. That it could wait.
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      <pubDate>Sun, 26 Apr 2026 16:28:01 GMT</pubDate>
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